topic: object lessons

description; ?>

worn tar

Worn tarWorn tar originally uploaded by steelmonkey

The portion of the road that cars drive on shows greater wear (and hence repels water less) than the curbside portion that cars park on

The persistence of namesThe persistence of names originally uploaded by steelmonkey

A sign warning about the premises being video recorded. Note the use of 'video tape': it's unlikely that the security system still relies on loads of video tape instead of digital storage, but the language still reflects the old concepts.

When do concepts fade away? Compare with intentionally retaining language/structure/imagery for familiarity's sake: this is not such a case - there are no functional advantages to using 'tape', since just the word 'video' suffices to convey the general nature of the surveillance. Unless the word 'tape' is still a good synonym for 'record'.

Where is the graveyard of dead words?


the other 90%, originally uploaded by steelmonkey.

Seen at Seattle airport: public cellphone charger that promises to charge your phone in half an hour while you... stand. At arms length. Holding your phone all the while.

It looked unused.


Outside a "mall" in Abuja, Nigeria: a blackboard advertising real-estate for rent. Interested people can inquire at the GLO shop next to the sign.

As a marketing device, this is an example of cross-media communication that relies on several infrastructures to make it work. Discovery of this information relies on the architecture of the physical space: roads, sidewalks and the proximity to a public space to bring this information to potential buyers. Note the careful placement of the sign in the unpaved area next to the paved sidewalk, so as to keep it visible to both pedestrians and passing or stopped motorists.

The second infrastructure is the social network at the GLO shop (cellphone airtime shops are common social hubs in Nigeria). Delegating the job of answering queries about the ads to the shop relies on the fact that, as a social hub and a low-margin business that relies on volumes, the GLO shop is constantly manned to ensure that potential airtime buyers will always find someone at the shop. The constancy enables the side business of helping potential renters with information about the ads.

The third infrastructure is, of course, the cellular phone network. Note the cellphone number scrawled at the bottom of the board. Given the importance of mobile phones as a method of communication in this country, this is practically a bonafide calling card and authenticator of intent all rolled into one.

Targeted advertising? Take that, Google!

0427_1811150427_181126

Now I'm not actually talking about solving the Israel-Palestine question or some grand political dilemma like that. Consider this crate of Gatorades in a supermarket store (left) that is marked "Do not stack more than two pallets high". Consider also that this instruction is violated well beyond the limits prescribed (right)

Who is in the right in situations like this? Perhaps the store employee never saw this warning, or did not pay attention to it, in which case better graphic design might have helped there. Perhaps the store employee comprehended the instruction, but chose to ignore it. Perhaps it is store policy (whether formal or informal) that allows this behaviour.

Clearly, this is a conflict of interest - the manufacturer does not want the retailer to store the pallets for safety or damage prevention reasons, and perhaps they are justified. On the other hand, the supermarket would clearly waste precious retail space by storing in that manner. If you're a designer, whose side do you take? Is what the supermarket has done "right" or "wrong"?

two for tea

This object was at Pike Place Market in Seattle (map). While it looks rather like an IKEA creation, it seems more likely that it was cobbled together. Note the grime (large), probably from lack of use, and the straps connecting the top fasteners to the bottom support bar. Also note that this on a slope - so the green seat is closer to the ground than the red one...

Encounters with objects like this (which do not immediately make sense) invariably involve a moment of uncomprehension - as we are trying to understand what the creator might have intended this object to do (give two tired city dwellers a brief rest, perhaps), it occurs to us that the creator might have designed the object for what he intends us to do. This is an act of social engineering that we are not quite prepared for. We withdraw. If we are somewhat paranoid, we do not even examine it, because we do not want to be seen peering at something unremarkable, attempting to discover its secrets, because everyone else probably knows already, and the joke would be upon us.

It might well be that the construction is simply the result of improvisation, but the opacity of designer intent keeps us away. How often does this happen unnoticed in designed products - that people don't use something because they don't understand it? What are the social costs of using (or misusing) something?

lipstick-proof cup?

This is a lipstick-proof cup, designed by Frank Lloyd Wright for the Imperial Hotel in Japan: the red edge prevents lipstick stains from being visible. Of course, this only works if you're right-handed. The tour guide at the meyer may house was unable to confirm that this was indeed the intention of the designer...

I also found paper flatteners, rotary window openers, umbrella stands and even a handle set into a wall. See the photo set for more details.

Syndicate content